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This work explores spatial boundaries and a journey through the landscape, focusing on the methods artists have used to capture it throughout history. Artists’ tools allow freedom to manipulate an image, interpreting their experience with the landscape into their work. The invention of the camera now bears witness to the 'true image' and replicates a moment in time and space. In this exhibition the artist’s distortion comes together with photography playing with accuracy, expression and aura.

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In homage to the Royal Society of Painter-Etchers of 1880, this work archives, reproduces and investigates, creating past-futures with a new existence and questionable reality.

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The exhibition becomes an allegory in itself; fragments of the history of image-making come together, no longer sequential but simultaneously, with a dialogue that investigates the purity and beauty of an image.